With Progress Comes Change

My workflow over the last few years hasn’t changed much. I’ve always used Logic to compose my music and I’ve always used my EastWest sounds for my orchestra running off my laptop. But as my projects, vision and skill increase in size, I must adapt to those changes. After 3 day test, I wrote that I would slowly be upgrading my music rig over the coming months. It started with the simple addition of my little MOTU Microbook II. Apple has recently released their 27in iMac which will be replacing my current laptop when it becomes available, and I am eagerly awaiting that day. In the meantime, there was some software I wanted to purchase to increase the capabilities of my music. At first, I wanted to wait until I got my new computer, but now that I find myself in between projects, I figured this would be the perfect time to learn new software, as it will be changing the way I write music quite a bit.

First, it has become apparent that even though I primarily write for orchestra, other sounds are often needed to supplement the music. This was most evident in my most recent film, Barlowe Mann. In that score, I used a fair number of synthesized instruments, as well as real instruments that were heavily modified for the ethereal and often whimsical sound I was going for. I knew it was time to invest in some synths, and there’s nothing better to start with than Omnisphere.

Omnisphere is called a Power Synth. Not only does it come with over 8000 preset sounds, it allows for the creation of sounds, so it has nearly unlimited possibilities. This should allow me to create any atmosphere or non-orchestral sound I need for any project. I’m very excited to begin learning this new program. 
During another blog post, I mentioned a piece of software called Vienna Ensemble.
 I was first introduced to Vienna during my time with Mike Post, and its benefits were instantly visible to me. Here’s the nutshell version. Any time you close a track you are working on and load another, your composition software needs to reload all the sounds for that project, even if the sounds are the same. This wastes a lot of time and puts extra strain on your equipment. Vienna (among many other features) loads all your sounds into itself, so you don’t need to reload everything when you switch projects. It’s really useful. 
Both these programs arrived today, and I am installing them as I write. These programs, Vienna especially are going to drastically change how I go about making music, so there’s a lot to learn. I will be using this downtime to get everything in order for the next big thing. 
Speaking of the next big thing, I have received word that Corbin will be filming his next movie in April and it looks as of right now that I will be involved in the music for that one. Details are scarce right now, but I’ll be sure to write in as soon as I know. Stay tuned for more updates as I tackle these new programs!

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